By Elian Peltier Reporting from Abomey and Cotonou, Benin. Throughout the movie “Dahomey,” the eerie voice of a 19th century West African king emerges from the depths of history.
A long-silent voice from a distant past — eerie and reverberating — awakens in the climate-controlled, antiseptic chambers of ...
Mati Diop’s brisk, thoughtful documentary Dahomey considers the limited yet necessary good done through restitution.
This framing captures various objects like King Ghezo’s statue or inhabitants of Benin (the renamed version of the Republic of Dahomey). A global society deferring to colonizers has constantly ...
The 26 artifacts were among thousands taken by French colonial troops in the late 19th century from the kingdom of Dahomey, which is now the Republic of Benin in West Africa. The loot was ...
The items were looted by French troops during an invasion and subsequent colonial occupation of the kingdom of Dahomey, now the present-day Republic of Benin, in November 1892. Prior to its return ...
French filmmaker Mati Diop’s evocative Dahomey centers on 26 statues and cultural objects — a handful of the estimated 5,000 pieces stolen at the end of the 19th century — that France returned to ...
“Dahomey” packs a lot of introspection and ... original home in the African Kingdom of Dahomey (now the Republic of Benin). This kingdom, established in the 17th century, was the subject ...
The movie comprises mostly observational footage shot during the shipping and repatriation of 26 objects that France had looted from the kingdom of Dahomey (now Benin) during the invasion of 1892.
Back in Benin, the returnees inspire public celebrations, but are greeted only by dignitaries. Gezo is checked by curators for oxidisation. He himself is unsure his journey is over. Dahomey is ...
The French Senegalese director passed on big-budget Hollywood projects before making her latest film—a fantastical ...
TOKYO --French director Mati Diop's documentary "Dahomey," which examines the colonialism forced on West Africa, won the ...